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Tuesday, November 19, 1991

U2 released Achtung Baby: November 19, 1991

Originally posted November 19, 2012.

image from u2interference.com


Release date: 19 November 1991
Tracks: (Click for codes to singles charts.) Zoo Station / Even Better Than the Real Thing (6/20/92, #32 US, #8 UK, #1 AR, #5 MR) / One (1/4/92, #10 US, #7 UK, #1 AR, #1 MR, #24 AC) / Until the End of the World (2/1/92, #5 AR, #4 MR) / Who’s Gonna Ride Your Wild Horses? (1/25/92, #35 US, #14 UK, #2 AR, #7 MR) / So Cruel / The Fly (11/2/91, #61 US, #1 UK, #2 AR, #1 MR) / Mysterious Ways (11/23/91, #9 US, #13 UK, #1 AR, #1 MR) / Tryin’ to Throw Your Arms Around the World / Ultra Violet (Light My Way) / Acrobat / Love Is Blindness

Sales (in millions): 8.0 US, 1.2 UK, 20.4 world

Peak: 11 US, 2 UK

Rating:


Review: “Reinventions rarely come as thorough and effective as Achtung Baby,” AMG an album in which “U2 discarded the arena-rock sound that catapulted it into stardom on The Joshua Tree in favor of feedback, electronic beats and introspective lyrics.” RV They “detour[ed] into the darker realms of irony, decay and turmoil on accessible avant-garde rock tunes recorded in Berlin.” UT In addition, U2 loosened up “after fostering a dour public image for years…cracking jokes and even letting themselves be photographed in color. ‘It’s a con, in a way,’ Bono admitted to Rolling Stone in 1992. ‘…It’s probably the heaviest record we’ve ever made.’” RS500

“Coaxed to Berlin by producer Brian Eno, U2 spent several chilly months arguing over how they wanted to sound in their second decade. Larry Mullen Jr. and Adam Clayton were in the ‘Ain’t broke, don’t fix it’ camp while Bono and The Edge campaigned for changing everything.” TL

“This radical shift in style is loudly declared on Zoo StationRV with “crashing, unrecognizable distorted guitars” AMG and “postmodern, contemporary European music. Drawing equally from Bowie’s electronic, avant-garde explorations of the late ‘70s and the neo-psychedelic sounds of the thriving rave and Madchester club scenes of early-‘90s England, Achtung Baby sounds vibrant and endlessly inventive.” AMG

Throughout the album, U2 “use the thick dance beats, swirling guitars, layers of effects, and found sounds to break traditional songs out of their constraints, revealing the tortured emotional core of their songs with the hyper-loaded arrangements.” AMG They experimented “with a wall of sound, using waves of melody emanating in Until the End of the World and Ultra Violet.” RV

One

“In such a dense musical setting, it isn’t surprising that U2 have abandoned the political for the personal on Achtung Baby, since the music, even with its inviting rhythms, is more introspective than anthemic.” AMG “Bono has never been as emotionally naked as he is on Achtung Baby, creating a feverish nightmare of broken hearts and desperate loneliness.” AMG “U2 capped its reinvention with…One,” RV “one of the most beautiful songs U2 ever recorded.” RS500 It is “a fragile ballad that shines amidst a whirling soundscape of strings, guitars and Bono’s anguished voice.” RV “Bono wonders whether individuality also means eternal loneliness and comes down on the side of hope.” RS500 The song “started as a bitter take on Bono’s relationship with his father, twisted into a commentary on the state of the band, became a staple at weddings and now is used as an anthem to fight global poverty.” TL

“Unlike other U2 albums, it’s filled with sexual imagery, much of it quite disturbing, and it ends on a disquieting note. Few bands as far into their career as U2 have recorded an album as adventurous or fulfilled their ambitions quite as successfully as they do on Achtung Baby, and the result is arguably their best album.” AMG

The Fly

Mysterious Ways

Who’s Gonna Ride Your Wild Horses?


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