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Saturday, December 25, 2010

Adele’s “Rolling in the Deep” charted for the first time

Originally posted 12/27/2011; updated 1/19/2014.


Adele “Rolling in the Deep”


Writer(s): Adele/Paul Epworth (see lyrics here)

Released: 11/29/2010, First charted: 12/25/2010

Peak: 17 US, 2 UK, 119 AC, 61 RB, 21 MR, 113 AA (Click for codes to singles charts.)

Sales (in millions): 8.0 US, 0.8 UK, 14.0 world (includes US and UK)

Radio Airplay (in millions): 2.0 Video Airplay (in millions): 374.71


Review: While touring North America in support of previous album, 19, Adele’s bus driver introduced her to Wanda Jackson via a greatest hits album. SF She was also drawn to American country music while touring the Southern states. SF Those influences come through on “Rolling in the Deep”, which has been described as having a “hint of Wanda Jackson’s dirty-blues growl.” WK Barry Walters of Rolling Stone commends the song for its “British knack for rejiggering the sound of American roots music” WK while All Music Guide’s Matt Collar calls it a “propulsive gospel fever-blues anthem.” AMG

Collar also proclaimed it “one of the best singles of any decade” AMG and Billboard said it was the biggest crossover tune from the last quarter century, with appearances on a dozen different charts. SF The song hit #1 in eleven countries and sold more than 7 million copies worldwide. It was nominated for Grammys for Record of the Year and Song of the Year. It also landed a nomination for Video of the Year from MTV.

Critics raved about Adele’s vocals on the cut. The Sun described it as something “you would expect from a veteran of 20 years on the road.” WK Reviewer Bill Lamb said her voice “can raise chills up the spine.” WK Adele credited producer Paul Epworth, who had worked with Bloc Party and Florence + the Machine, for getting notes out of her which she didn’t know she could hit. WK

Adele told Rolling Stone that the song title is an adaption of the UK slang term “roll deep” which means to always have someone who has your back. SF She said that’s how she originally felt in the relationship which is dissected on the song’s parent album, 21, but that “ended up not being the case.” SF A day after she split with her unfaithful boyfriend, she arrived at the studio wanting to write a lovelorn ballad, but was persuaded by Epworth to pen a feistier song. SF As she told Spinner, “I was really, really angry with my personal life…I’m not really willing to be walked all over.” SF


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Wednesday, December 8, 2010

'Tis the Season to Be Listing

‘Tis the season for mistletoe, gawdy blow-up decorations in people’s yards, and earworm-inducing ad infinitum spins of “Grandma Got Run Over by a Reindeer.” This also means it’s time for scrawling those wish lists and checking them twice. Santa’s dropping down that chimney in just a few weeks and stuffing those stockings with CDs by Justin Bieber or Arcade Fire, depending on whether we’ve been naughty or nice. With an 8-year-old and 5-year-old, list-making in my household means children taking notes during television commercials.

Ah, but in the music world, this is the time of year for another kind of list-making as well. While Santa’s loading up his sleigh with goodies, editors of every music mag known to man (a phrase that begs the question, “are there ‘zines devoted to the auditory pleasures of, say, the platypus kingdom?”) are packing their year-end magazine issues with plenty of treats. Those often come in the form of best-of-the-year snapshots. Considering my inclination in that area, my Christmas wish list is generally comprised of which year-end issues rank highest as must-haves.

As a side note, my obsession with year-end lists has overwhelmed even my fictional writing. Last week, in my efforts toward penning that great music-themed novel everyone so desperately needs from me (yeah, right), I scribed an entire chapter devoted to two characters debating the best college rock tunes of 1983. I know. I have a problem and need to seek help.

In the spirit of the season of list-making, Rolling Stone has offered a unique spin with its playlist issue (Dec. 9, 2010; issue #1119). While their year-end wrap-up should be just around the corner, this time out the focus is squarely on artists making lists of other artists. I doubt the world has been on pins and needles awaiting the revelation that Maroon 5’s Adam Levine ranks “Man in a Suitcase” as his eighth favorite Police song, but they might care about what roots and reggae songs make Keith Richards’ top ten. I must admit that after perusing a couple lists even I was thinking what an exercise in tedium this seemed to be – and this is coming from a list devotee so obsessed that he’s created a website and Facebook page devoted to the crap.

However, when I read Patti Smith’s comments about how moved she was by “Sad-Eyed Lady of the Lowlands,” it matters not one whit whether that or “One Too Many Mornings” ranks higher on her list of favorite Bob Dylan love songs. (For the record, she ranked “Mornings” #1 and “Lowlands” #4). The importance comes not in the rankings, but the feelings evoked by the creation of the list. More importantly, for us readers it allows a glimpse into Smith’s world as she reverentially describes singing “Dark Eyes” with Dylan nightly while they toured together in 1995. Her comments about striving, and failing, to pen a song of gratitude to Dylan was revelatory; even the greats like Smith, no slouch in the lyrical writing department herself, have musical gods to whom they bow.

When Elton John calls Kanye West’s “Say You Will” the “2008 equivalent of Marvin Gaye’s ‘Let’s Get It On,’” my browser is already heading toward my favorite quasi-legal Russian download site.

While the presence of Kanye West on Elton John’s iPod might be eyebrow raising, it is no shock that Gerard Way, frontman for emo-rock group My Chemical Romance, would offer up his snapshot of the glam rock world. It is hardly groundbreaking to see David Bowie’s “Ziggy Stardust” and Mott the Hoople’s “All the Young Dudes” make the cut, but Way defines glam in a broader context to include Roxy Music, Brian Eno, Alice Cooper, and the New York Dolls. We’d all do well to similarly expand the boundaries we’ve placed on genre classification.

This is why I love music lists. Ultimately, it isn’t about what ranks at #1 and what comes in at #68. It is more about being on the list at all. A list is a celebration of what shows up and a surefire argument starter over what doesn’t. Either way, the end benefit is the discussion spurred by a list. Heated debates over what should and shouldn’t make the grade really are mini-musical history lessons. Why should an artist be lauded with “best ever” status? How has so-and-so’s album left its mark? What has “song X” done to change the musical landscape?

Of course, there never really can be such a thing as a “definitive” list – although I cheekily attach the tag to many of the posts on my Dave’s Music Database Facebook page. Any list is subject to debate or change – just ask my kids. If they watch any TV tonight, they’re bound to scratch something off their Christmas wish lists and add a couple new things.

Oh, and by the way, if you’re stumped over what to get me, I’d be fine with the $750 thirty-disc box set of Elvis’ studio recordings. You know, just in case you’ve got nearly a grand burning a hole in your pocket that you desperately feel a yearning to throw my way. Merry Christmas all. Here’s hoping you get at least something on your list.